Granta 10: Travel Writing
Travel writing is undergoing a revival: not since the 1920s and ’30s has it been so popular or so important. What accounts for its sudden appeal? A need for escape? Nostalgia for an experience that means not tourism but adventure? Or does travel writing – being part reportage, part fiction and part meditation – express concerns that we rarely see addressed in other forms of writing? This issue, the tenth edition of Granta, is devoted to the work of some of today’s most important travel writers, including the already established and those just beginning to build their reputations.
One of the most popular issues of Granta, now in its fifth printing.
‘Nearly every movement in Britain in the 20th century has managed to find a forum in the place we normally turn to for such things, which is the literary magazine… If one were looking, as writer or reader, for such a magazine, it would be hard at this minute to avoid the claims of Granta.’ Malcolm Bradbury in Encounter
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In this issue
Gabriel García Márquez: Watching the Rain in Galicia
Todd McEwen: They tell me you are Big
Russell Hoban: One Less Octopus at Paxos
Jonathan Raban: Sea-Room
Richard Holmes: In Stevenson’s Footsteps
James Fenton: Road to Cambodia
Redmond O’Hanlon: Into the Heart of Borneo
Colin Thubron: Night in Vietnam
Martha Gellhorn: White into Black
Bruce Chatwin: A Coup
Norman Lewis: Village of Cats
Saul Bellow: Old Paris
Patrick Marnham: Holy Week
Jan Morris: Interstate 281
Paul Theroux: Subterranean Gothic
Hugh Brody: Jim’s Journey
William Weaver: Italy
