Pop Idols

In 1987 I had a lot in common with many other fourteen-year­olds. I watched the Brat Pack/John Hughes films, repeatedly; I knew the Top 10 of the UK chart by heart; I cut out pictures of Rob Lowe, Madonna, a-ha from teen magazines and stuck them on my bedroom walls; I regarded the perfect ‘mixed tape’ as a pinnacle of teenaged achievement and gave thanks for not living in the dark days of LPs. But in doing all these things I merely affirmed what every adolescent growing up, like me, in Karachi could tell you – youth culture was Foreign. The privileged among us could visit it, but none of us could live there.

Instead, we lived in the Kalashnikov culture. Through most of the eighties, Karachi’s port served as a conduit for the arms sent by the US and its allies to the Afghan mujahideen, and a great many of those weapons were siphoned off before the trucks with their gun cargo even started the journey from the port to the mountainous north. By the mid-eighties, Karachi, my city, a once-peaceful seaside metropolis, had turned into a battleground for criminal gangs, drug dealers, ethnic groups, religious sects, political parties – all armed. Street kids sold paper masks of Sylvester Stallone as Rambo; East met West in its adulation of the gun and its hatred of the godless Soviets.