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Latest comments on New Writing

There were 1542 comments found.

Showing page 38 of 62

  1. It's now 2012. The London Olympic Opening Ceremony included a beautiful (post 7/7) dance of a worried and anxious people excluding an agonised 'Islamic'-looking man and his child. After the struggle of the dance, both man and child were accepted, welcomed, and incorporated into the host group.

    I have been informed that this inclusive segment of the event was censored by the NBC in the US and replaced with an interview of Michael Phelps. However, it was shown in full in China and most other countries.

    So what times are these? At least much of the world saw such a life-affirming dance, which couldn't have happened a few years ago; they watched it the other night as the Syrian people resist their government's onslaught.

    Rough historical tides right now....wave after wave.... but it feels like birth as well as death; so, complex but somewhat hopeful all the same.

  2. Comme la neige.

    Comme la
    neige dans
    l'aube d'une
    couleur j'écoute
    le sourire qui
    chante le
    matin.....

    Francesco Sinibaldi

  3. I find it strange that a British magazine would only reference the American edition and title ("My Struggle") of this work. "Min Kamp" was first published by Harvill in Britain and Canada as "A Death in the Family".

  4. Great story. Looking forward to the novel.

  5. Hector Abad is proof that the best food writers probably wouldn't call themselves food writers. Marvelous piece. Especially enjoyed the section on panela - and learning that alchemists gave us the term 'spirits' for hard alcohol.

  6. On that feeling.

    Only that
    sunshine is
    a beautiful
    feeling calling
    your nature
    and a delicate
    thought.

    Francesco Sinibaldi

  7. A very imaginative and haunting piece. Thanks.

  8. samuel, the question was not as silly or parochial as you think. I'm interested in the power of imaginative language, and in particular where and whether the arts and sciences can meet to speak to/with, each other.
    The author introduced metaphorical language in her article, which was helpful to both her and the reader, but said it belonged to the 'middle world'. Since imaginative language expresses the ever-expanding human imagination, I was interested in whether the conceit could be carried further in 'imagining' a Higgs Boson Universe, which would help the lay person understand its beauty and function - especially since it's now a 'goddamm particle' and not the 'god particle', and hence part of its initial imaginative puissance is based on a linguistic error. Physicists are imaginative scientists, and metaphor allows us to leap out of a restricted mental world, I think, ie. if it can be 'imagined', it can be imagined. My mistake was thinking this an interactive site and that the author could reply.

  9. The concepts of middle world etc., and info. about origins of name 'god-particle' fantastically illuminating for this unscientific reader. Shows the infinite (sic) power of marketing to cause confusion and needless problems!
    However, one thing still puzzles me with your snowy field analogy. Is the Higgs Boson particle what fills hitherto 'empty' space and thus makes a field (snow) to 'cross over' or 'through'. Or is it what makes skis, snow-shoes, boots, make different marks in snow, ie space? Or is it both - ie. is it somehow obvious to scientists that if space is full of tiny 'Higgs Bosons', they will decide how we travel over it - ie. decide whether we need skis, snow-shoes, or boots to traverse it? And is that 'snow' of variable depth, kind, or everywhere? Is my imagination just stuck in the middle world; running away with your simile; or the analogy not hold up all the way through your explanation, and so dropped? I lose my bearings a little there You see your simile starts my imagination flying - then you drop it/me. Can you help me a little further please, to land somewhere?

  10. very effective. great job!

  11. El pensar liviano.

    En el
    liviano y
    candoroso
    canto veo
    la tristeza
    pasar donde
    el viento
    entonces
    regresa.

    Francesco Sinibaldi

  12. L'hirondelle dans la roseraie.

    Avec une
    douceur qui
    chante l'harmonie
    de la pluie en été,
    quand le son
    de la vie rappelle
    la jeunesse et
    un tendre oiseau.

    Francesco Sinibaldi

  13. "But there is that word : 'perfect'. My father did not give much advice, hoping we would find our own way perhaps, but I do remember him once sitting me down telling me not to be a perfectionist. He thought it was the one characteristic to keep in check, because that perfect state does not exist, and that the failure of attaining it can destroy. .. Perfectionism and obsessiveness often go hand-in-hand. I think that many creative people are obsessive, and it is often that element that takes the work to an interesting place. Some of the obsessions that channel into compulsive behavior seem to me to be very destructive. It's like mismanaged and misguided obsession that needs an outlet. So yes, the photographs, the book - I see them as little ways of channeling my own deeply obsessive nature." So touching. So intimate. So true. And, of course, so enlightening an interview. Thanks.

  14. If your sunshine....

    In a lyrical
    verse a fine
    day remains
    touching the
    dream of
    an intense
    emotion...

    Francesco Sinibaldi

  15. Dear Gillian,

    your poem "Blue Sky Thinking" is so beautiful.

    If only it could all become a reality!

    Loved reading it.

    Regards,

    Avijeet.

  16. I'm really quite excited by these poems - and enjoyed the interview. Have just ordered The Children. It's great to discover a fine voice I haven't heard before.

  17. Sobre la sensación.

    Un canto
    infinito y una
    dulce poesía
    donde vive
    el pasado
    y una hoja
    regresa regalando
    el amor.

    Francesco Sinibaldi

  18. This comment has been removed by the moderators.

  19. I don't know if this is really 'without nostalgia or idealisation',but it certainly is well-written story. The use of dialect does not detract from its appeal, it heightens it.

  20. You have chosen a theme that is, and is likely to remain, somewhat controversial, but your handling of it is superb. The story has therefore an unexpected sensitivity and delicacy.

  21. Rich, vital, and eminently laudable ... what I like above all is the combination of scope and intensity.

  22. A story that introduces a whole culture to the world... since I have already read quite a bit of African literature, it was enjoyable to draw parallels, and to contemplate differences as well.
    Nice writing, anyway...

  23. Decidedly unusual treatment of an ancient practice and an ancient theme.

  24. Innovative Creativity and intelligence. Good works. Waiting to read an expanded version.

  25. Duplicated comment.

Showing page 38 of 62