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New Voices: Postcards


Our New Voices series, which publishes fiction by emerging authors exclusively on the magazine’s website, continues with a new story this week. We also caught up with some of our other writers from the series: What did being a Granta new voice do for their careers? What are they working on now? Any advice for writers starting out?

Billy Kahora

It definitely garnered some international attention. I got into the Iowa International Writing Program partially on the strength of this – it has also helped with invitations to panels and talks while I’ve been in the U.S.

I am working on a creative non-fiction novella on Juba, Sudan and a novel based in Kenya.

To borrow from an Australian writer I met recently – the word writer is not a noun but really oriented around a verb. Forget everything else that comes with the idea of being a writer and just write. And write, and write. Structure your life around your writing, not writing around your life, if it is something you take seriously. And when you are not writing, read as much as you can ...

Read Billy Kahora’s story, The Gorilla’s Apprentice, or an interview with Billy.


Jessica Soffer

In a word: everything. The publication plucked me from the muddy and claustrophobic cave of scribbling where I’d lived for years and put me on some kind of map where I could begin to engage with others about my work. Until then, the engagement had been strictly critical (as in workshop, for example) but the publication etched my words – regardless of how flawed they may have been – into something more finite, more real, which offered me a little room to imagine that I might move people, as good writing has moved me my whole life. Until the work is ‘out there’, it’s hard to believe that’s possible. Though, of course, that’s the reason many writers write, and keep writing. On a more practical level, I began talking to editors and agents, each crucial in navigating me through the next stages.

I’ve just had the very wonderful news that my novel, Tomorrow There Will Be Apricots, will be published in 2013. I’ve been reeling – and working on some food writing, particularly on beloved authors and their quirky eating habits. Iraqi-Jewish and French cuisines are at the heart of Apricots and I’ve fallen in love with the language of food. For now, I can’t imagine writing about much else.

My advice is to keep the writing close to your chest for as long as you can. It’s so easy to corrupt things when you show them to the light too soon. Also, find readers you trust and don’t write under a rock forever. It’s possible to do all those things. I haven’t figured it out yet, but there are people who have and I tip my hat to them.

Read ‘Beginning, End’ by Jessica Soffer now.


Evie Wyld

Just being associated with Granta is enough to get people to prick their ears up, and having an interview, a short story and a biography as a single package on the website was really very useful. You’re able to impart a whole lot of information about yourself without feeling like you’re going on and on and being intrusive. I still get people directed from New Voices contacting me on my website.

I’m working on two things. I’m three quarters of the way through a second novel which is partly set in Australia and partly in the UK. It’s got sheep and sharks in it, but that’s all I can say at the moment, because all else may change. The other thing is a graphic memoir with illustrator Joseph Sumner, which is proving to be a long process but very well worth it. Lots of sharks in that one too.

Read your whole book out loud to yourself. If you trip up over words there’s something wrong with the sentence. That sounds like water divining but it works!

Evie Wyld contributed to our sex issue – read her memoir essay ‘Woman’s Body: An Owner’s Manual’ here. Her New Voices story was an advance extract from her novel After the Fire, A Still, Small Voice, which went on to win the John Llewellyn Rhys Prize.


Visit the New Voices section for a full list of stories and interviews by thirteen writers. Our most recent is Jaime Karnes, whose story ‘Here Comes the Sun’ was published on Monday.

Comments (17)

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  1. Rachit Kinger

    Thu Apr 21 12:42:14 BST 2011

    Very inspiring.

    I intuitively agree with Jessica's advice of maintaining a balance between keeping one's writing close to one's chest and sharing it with others...but I am sure its easier said than done. When the going is good sharing it and discussing it can be addictive and when in other cases (in most cases) it is not good enough to be shared. I guess it is hard to find a balance.

    I also see the merit in reading out your writing to yourself. You can instantly spot things when they go wrong - bad sentence construction, digression, too many sentences stand out conspicuously. But the trap here is that what seems interesting when reading out loud might seem mundane when reading in the mind because when reading loud one can emote and modulate one's voice. I tried doing that and I started to like everything I read!

  2. Sans930

    Thu Apr 21 13:46:58 BST 2011

    Thank you for this, Granta. It's so good to have these writers on our radar again-- particularly Jessica Soffer whose story was so affecting to so many people I know. Great news about the novel. If anyone knows anything else about it please post here.

    My heartiest congratulations to all the New Voices!

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    Mon May 02 16:35:30 BST 2011

    The wind blowing in the sun.

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    bird there's a
    light that always
    shines near
    the sound of
    a quietness, it's
    the tender relief
    now recalling
    the youth.

    Francesco Sinibaldi

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