pours its ragged sound upon
the unlit breakers.
‘Promenading’ is taken from The Departure by Chris Emery, forthcoming with Salt.
Photograph by Dominic Alves
‘Promenading’ is taken from The Departure by Chris Emery, forthcoming with Salt.
Photograph by Dominic Alves
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Chris Emery lives in Cromer with his wife and children. He is a director of Salt, an independent literary press. His work was anthologised in Identity Parade: New British and Irish Poets (Bloodaxe, 2010). He is a contributor to The Cambridge Companion to Creative Writing, edited by David Morley and Philip Neilsen. ‘Promenading’ is taken from The Departure, forthcoming with Salt.
More about the author →
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James Pogue on the Wagner Group in the Central African Republic.
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A short story by Benjamin Kunkel.
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Photography by Danny Franzreb, introduced by Atossa Araxia Abrahamian.
‘Returning to Manhattan was like seeing someone who’d once been your lover but was now with someone else.’
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